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The collection references John Goto’s reportage photography of the era documenting young British African-Caribbeans at Lewisham Youth Centre. The portraits tell the story of second generation black and asian youths finding love and belonging in the underground blues parties of 1970s London. They are defiantly elegant in their swagger and eclectic in expression. Hippie sensibilities. Conservatism of dress rejected. Identity performed with chest-up pride.
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